This is a topic that I'm sure people have covered in greater detail in other parts of the interwebs, and if I cared more I would research and post links, but I don't really.
My two-week experiment with facebook ended this morning, after a bizarre comment that was posted to my 'wall' by a 'friend'. I showed it to Kate and we agreed that any facebook is probably too much facebook. I have deactivated my account, which is apparently as close as I'm allowed to get to deleting it. Because you never know when you'll want to come back. Kind of like all those old friends and former partners and estranged family members that facebook 'connects' you to. It's the 'you never know' network—maybe you'll want to actually be friends with those people again, or rekindle that old flame, or talk to those family members—on some level you're pretty sure you won't, but YOU NEVER KNOW. Sort of like how gmail doesn't actually delete anything—you never know when you'll want to read that email you thought you threw away. In the age of digital reproduction, there is no reason to end anything. The false infinity of capitalism.
Anyway, facebook people should know it's nothing personal. Ha.
In other, significantly more exciting/interesting news, I just got word from editor Megan Garr that Versal Magazine of Amsterdam will be publishing a poem of mine called "Cottage industry" in their 8th issue this spring. I'm honored to be a part of Versal—it's a gorgeous magazine, from what I've seen of it (which is only one issue, but it was lovely!), and I dig their collective exploration of the notion of the 'translocal'. Cottage industry is also one of my favorite poems that I've ever written, so it's exciting for me to think about seeing it in print. They'll be having a release party in Amsterdam in May—wouldn't it be nice if Kate, Sonia and I could somehow make that trip...? Day dreaming; stay tuned.
1) A blog post about ON: Contemporary Practice #2. I've begun reading through and continue to be blown away by this magazine. It's like having a great conversation with a bunch of smart poets. Learning so much, and loving every minute of it.
2) News about With + Stand's Lisa Robertson Issue, which is going to shatter all records.
- Three poems @ Elderly Mag
- Four poems @ Dusie's Tuesday Poem
- Rob McLennan's essay on Writing Fatherhood @ Open Book Ontario
- Three poems @ Futures Trading
- Interview @ Rob McLennan's 12 or 20 Questions
- On Anne Boyer, 21st c. girl
- Top-ten as autobiography @ Attention Span 2012
- Three repetitions @ Truck
- One poem @ Spare Room
- One poem @ Ecozon@
- One report on practices @ Harriet
- One poem @ Reconfigurations
- Labor report @ Poetic Labor Project
- Attention Span 2011
- Gertrude Stein's Making of Americans Marathon @ MOMA
- One poem & a reading report @ Jacket2
- Cover @ Poetic Labor Project's April 2011 Transmission
- Interview @ Taiga
- Feature @ Onthology/Audio
- Correspondence with Stephanie Young @ Other Letters
- Interview with Bruce Andrews @ The Argotist
- Review of Ange Mlinko's Starred Wire & The Children's Museum @ Jacket
- Three poems @ William James Austin's BLACKBOX
- One poem @ Caffeine Destiny
- One poem @ Digital Artifact
- Three poems @ Shampoo
- Review of Charles Bernstein's Girly Man & World on Fire @ Jacket
The 30 Word Review
Tuesday, February 9, 2010
Moe's Books on Wednesday, reading for a release of ON: Contemporary Practice's second issue. The mag offers writers writing about other writers; the first issue was a genuine pleasure, and I'm sure the second will be too, thought-provoking and lovely.