The tattoo on Steiner's back has been sold for almost $215,000 to a collector who has the right to remove it after he dies. Delvoye says bluntly that this is one yardstick that makes the tattoo an artwork, rather than just another tattoo.
"It's art because it got sold," Delvoye says.
To compare:
"To me," he said recently, in a rare interview, "once money changes hands for art, it becomes a fraudulent activity."
Online
- Three poems @ Elderly Mag
- Four poems @ Dusie's Tuesday Poem
- Rob McLennan's essay on Writing Fatherhood @ Open Book Ontario
- Three poems @ Futures Trading
- Interview @ Rob McLennan's 12 or 20 Questions
- On Anne Boyer, 21st c. girl
- Top-ten as autobiography @ Attention Span 2012
- Three repetitions @ Truck
- One poem @ Spare Room
- One poem @ Ecozon@
- One report on practices @ Harriet
- One poem @ Reconfigurations
- Labor report @ Poetic Labor Project
- Attention Span 2011
- Gertrude Stein's Making of Americans Marathon @ MOMA
- One poem & a reading report @ Jacket2
- Cover @ Poetic Labor Project's April 2011 Transmission
- Interview @ Taiga
- Feature @ Onthology/Audio
- Correspondence with Stephanie Young @ Other Letters
- Interview with Bruce Andrews @ The Argotist
- Review of Ange Mlinko's Starred Wire & The Children's Museum @ Jacket
- Three poems @ William James Austin's BLACKBOX
- One poem @ Caffeine Destiny
- One poem @ Digital Artifact
- Three poems @ Shampoo
- Review of Charles Bernstein's Girly Man & World on Fire @ Jacket
Post-Industrial Poetics
The 30 Word Review
Friday, September 12, 2008
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1 comment:
that revs article is quite interesting. I've been watching the docs about Christo & Jeanne-Claude, the people who brought you the gates. That seems to be art without it being sold.
Then of course there's "the fountain". Don't think the sold thing can even possibly define art, I suppose you could argue it might define worthwhile art or art that is considered valuable... but art itself, what?
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